Currently showing posts tagged: jazz

Audio looping with Free Software

By Adam, July 13, 2011 8:24 am

I’m currently on a musical pilgrimage around the USA.  I brought my Digitech JamMan Delay unit with me, because I was attending Christian Howes‘ phenomenal Creative Strings Workshop in Columbus, Ohio, where I knew I would learn how to turn this gadget into a hugely useful practice tool.  (Incidentally, I was not disappointed, and will blog more when I get time about how awesome Chris’ various educational offerings are.  Until then, click the links!)  Unfortunately at some point after leaving Ohio, the JamMan stopped working.  I guess it didn’t like being surrounded by a bunch of smelly clothes and then getting thrown in the hold of a plane. (UPDATE Sept 22nd: actually it turns out that it was fine – the power adapter just needed the UK standard of 240 Volts, and the US standard of 110V wasn’t sufficient …)

So the other night I found myself desperate for a replacement.  I do have a Boss ME-70 with me which has a built-in phrase looper, but it only stores 38 seconds which is barely enough to get to the bridge of Cherokee.  Even worse, there is no way to undo/redo loop layers or store the whole thing after you power the unit off.

Then it occurred to me that I could potentially combine my laptop (a cheap Samsung N150 netbook) with a microphone, headphones (as a poor man’s substitute for an amp), and some software to achieve the same thing.  At this point, those of you with a Mac will exclaim “sure – use GarageBand!”  However, as shiny as Macs are, they are expensive and I also can’t stand Apple for philosophical reasons.  (I can’t stand Microsoft either, which is why I use Linux, but I digress.)  If you are interested in an alternative approach to looping with software, read on!

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harmonicas, and a reharmonisation of “Foreign Lander” by Tim O’Brien

By Adam, January 15, 2011 2:38 pm

How do three music addicts survive when attempting to travel for 25 days without a musical instrument? Answer: they cheat. I caved in on day 3 and bought a harmonica in Kuala Lumpur:

Despite being sold as a “chromatic” harmonica, it could only manage a rough approximation to three octaves of C major. Also, the holes are in a different place for the top octave, which meant every time I attempted the “do re mi” major scale, I accidentally finished with “… fa sol la ti MI” followed swiftly by a profanity, and consequent howls of laughter from Corinna. It cost very little and sounded progressively worse the more I practiced it, although I only place the blame partially on the harmonica for that. In case you don’t believe me, here’s the proof:

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(Now seems a good time to mention that if you haven’t already seen Shane singing 5 octaves on the piano, go and watch it immediately.)

Eli followed suit shortly after, although he managed to buy a harmonica which was not only roughly in tune with mine, but even stayed in tune with itself! He also proved to be a quicker and more dedicated student than myself. Nevertheless, by the time we reached Xmas day in Bangkok, we were able to give reasonably credible renditions of the harmonica duet version of Jingle Bells to our unsuspecting families over Skype.

Corinna sensibly eschewed* such a crude instrument in favour, sorry, favor of something much sweeter – her voice. She also steered us very gently away from the harmonicas towards singing too, although with my range being comparable to Shane’s, and Eli’s “occasionally unstable” falsetto, I’m not sure that was quite as sensible.

Anyway, I digress. We learnt Tim O’Brien’s beautiful song “Foreign Lander”, and figured out some harmony and a bass line, which by the time of the final performance with banjo in Changi airport actually sounded pretty good! If you don’t know the tune, this youtube video has the original version as its soundtrack:

However my jazz tendencies mean that I sometimes get the urge to take something simple and beautiful and do evil corrupt things to it. So when I got back to London I reharmonised it as follows:

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(If you know how to play the piano properly, please ignore the fact that I don’t …)

[*] One of the many running themes of the trip was “words you write/understand but never say” – for me ‘eschewed’ falls into this category. ‘Sidewalk’ used to too, but after 25 days with two Americans, I found it magically popping out of my mouth. Eli came up with ‘idyllic’, Corinna with ‘laviscious’ and ‘ephemeral’, and there were several others I will need help remembering …

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kids are pretty cool

By Adam, March 31, 2009 4:25 pm

If you want a shining example of how to get kids to enjoy making music, look no further than Pete Churchill and the Merton Music Foundation. Last night I played in the Music is for Life concert at the Royal Albert Hall with about 1500 kids (some aged over 30) and it was a complete riot. Well, I guess anything involving that many kids is going to be a riot, but this one was very organised and massive amounts of fun. Great music too, coming from Pete whose composition career is so successful that (in his own words) it’s taken him as far and wide as Australia and Woking.

Unexpected side effect: the cravings to play jazz more often are getting too hard to ignore. If you see me starving on the sidewalk in a few years’ time with a big “will play bop for food” sign then you’ll know how it happened.

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Jazz cello

By Adam, March 27, 2009 10:14 pm

Doing a gig with Pete Churchill and some mates from my band in the Royal Albert Hall on Monday – haven’t played jazz cello in a while so really looking forward to it. No improvisation but I’ve heard Pete’s writing is really great so should be fun.

Also following hot on the heels of a mad mid-carnival gig, the next monthly installment of Guanabara goodness from my band is on April 4th – come check it out!

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